Sundance Review: Eli Roth’s Knock Knock

In which Eli Roth stays in. The writer-director, whose films have a penchant for observing the wrongheaded who go out into the world and discover horror, is quite clearly and fascinatingly switching things up. Here, in his sort of home invitasion movie Knock Knock, his lead—who no less makes all the wrong moves—simply has to open the…

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