Mainstream Horror: Are contemporary horror films “too white”?
The Hollywood Reporter recently posted a story about the rebirth of horror at New Line Cinema, aka The House That Freddy Built. Borys Kit’s piece focuses on The Conjuring, Annabelle, and their sequels, relatively low-budget flicks that have made a ton of money (with the obvious exception of Annabelle 2).
There’s no doubt that the so-called…
