Set in 1990, The Others’ director Alejando Amenábar’s new thriller looks imbued with haunting Satanic Panic as a detective works to uncover the mystery behind a father’s unspeakable crime.
There’s an elegance to Amenábar’s filmmaking which, like Tesis and The Others, tends to carry you right toward something scary, disturbing or totally suspenseful. Regression seems perfectly in line, and maybe…
