If you regularly attend your local arthouse theater, you’re likely to have heard the name of “Harmony Korine.” Maybe you’ve even seen some of his sporadic filmography that ranges from reputable films like Julien Donkey-Boy and Larry Clark’s Kids (which Korine wrote) to more divisive ones like Gummo and Trash Humpers and in the latter cases, you may have sworn to never pay to see…
This is a post type review test
